In third grade, my class did a project in which each student studied a state. Mine was New York. I was born in New York and–living in Virginia at the time–that was a very cool thing. Take that, Robert E. Lee.
Part of the project entailed an artistic re-creation of the state flag, or so I remember. In all likelihood, I had simply envisioned my project exuding grandeur (symbolized by an impeccably drafted state flag) and wouldn’t settle for anything less. The teacher would make a big deal over how wonderful my flag looked and how it really made my research on New York State rise above my classmates’ attempts at Vermont and Kentucky. Yes, I was that student. Apologies to those I stepped on along the way.
The problem was that my artistic rendering of Lady Liberty or whatever Greek ladies adorn the New York flag was not up to my own standards. And I freaked. If there’s one thing I can own, it’s when I make something that looks/tastes/smells (yup…you know what I mean by smells) awful. Even at age 8, I knew that the only state this flag was representing was a state of panic.
Luckily, I have a father who was obsessive–but not neurotic per say–about education. If I was studying George Washington in school, we’d go to Mount Vernon that weekend (not that it was all that far…we lived in Virginia, after all…but we were po’, which makes it more meaningful). If I wanted to be in band, we’d figure out a way to get a saxophone. Life was good like that. But back to New York. My dad stayed up late into the night drawing those Greek bitches for me. How long it took him, I have no idea. I was fast asleep. All I know is that I went to sleep with Lady Letdown and woke up to Lady Luck, because my flag looked amazing. In case I didn’t do so then, thanks Dad.
The byproduct of my gut-wrenching experience with the New York State flag made me realize something. I like simple flags. When I think about Jasper Johns’ paintings of the American flag, for instance, I become exhausted. I mean, do we really need all fifty stars on there? That’s a lot of work. Look at California’s flag; it has a bear on it. I don’t remember being good at drawing bears when I was a kid. Fish? Yeah, I could draw a mean fish, but a bear? That’s a tall order.
What this boils down to is that I should live in Japan. A nice red circle on a white background. And I love sushi. Done and done.
The ideas of flags, simplicity and parents doing their child’s homework make me think about “flags” in another sense–the kind that are cautionary. References to “red flags” pour out of my mouth like wine pours in (and that’s a lot). Whether in friendships, relationships, jobs or seat stains on public transportation, red flags are those ubiquitous indications that things just aren’t right. They can be slight or monumental, direct or obscure. The fact is, though, that they’re important. And symbolic. Sort of like a real flag.
For the longest time, all flags were red flags, or deal breakers for me. They would cause me to hastily end things, whether (again) a friendship, a relationship or a job. If things were feeling off, I was out. Then, over time, things changed. That artificial, obnoxious-doesn’t-begin-to-describe-it word, “sticktuitiveness,” comes to mind. Thanks but no thanks to the teacher who planted that seed of vile faux-cabulary that I can’t seem to shake. Regardless, red flags don’t seem to burn as hot as they once did. Perhaps it comes with age, similar to theories that time feels like it goes by faster as we get older because it becomes a smaller and smaller fraction of our total lifetime. After so many red flags, I think my vision may be fading.
My red flag reexamination has proven a good thing. A healthy thing. While it has the potential to bite me, I’d rather be open, patient and understanding (within reason, obviously) than callous and fearful. My new outlook on flags is that they’re still popping up all around me, but their color isn’t evident at first. It’s like the terrorism threats at the airport. Flags can be yellow or orange or, sometimes, red. Sometimes they’re complicated, like New York and sometimes they’re simple, like Japan. The trick is to resist assigning them their color prematurely. And to refrain from underestimating your drawing abilities.
Life is full of flags; full of hints and warnings. We’re lucky to have them. But sometimes we need to color-correct them and other times we need to disavow them altogether. On the flip side, there are some that ought to be heeded. We’d be silly not to. It’s a fine line indeed.
While flag-burning may be protected under the First Amendment, we can really only protect ourselves from being burned by them.

